About the Project

Symmetry of Absences: A City With No Windows follows a narrator who describes a late-night walk in Manama. As the narrative unfolds, so does the intentionality, or lack thereof of his walk. Through the transformation of meaning and logic, the artist presents a tale riffing on existential nuances and the failure in highlighting patterns of understanding. The project is spread over a multichannel audiovisual work, a conversational music score, and a live performance. In developing Symmetry of Absences: A City With No Windows, Hujairi sifted through notes he had taken from different sources: thoughts and observations from his personal late night walking practice, oral histories collected from Bahraini folk musicians, his audiovisual research archive, and extrapolations from his practice as a composer-sound artist. The compilation is an invitation to consider - and reconsider sensory cues that occupy the immediate and mundane.

This work was presented in the form of a video installation and a series of performance lectures at Al Riwaq Art Space. The work was shown as part of a group exhibition called ‘Post-Fiction: Manama’, which included works by Ali Hussain, Mariam Al-Noaimi, Jaffar Al-Oraibi, and Nasser Al-Zayani.

To Watch

‘The Last Possible Essay About Manama. Everything Else Doesn’t Matter and isn’t Real’: A Lecture-Performance

On May 10th, 2022, I presented this lecture-performance sound art piece as a supplement to my audiovisual essay entitled Symmetry of Absences: A City with No Windows. The essay, as narrated by me looks at a post-apocalyptic Manama which is submerged under the waters of Arabian-Persian Gulf due to the expected rising sea levels. This submergence will in turn highlight some of the quirks of the urban makeup of Manama including its pedestrian unfriendly roads, the excessive presence of thick walls, and the secrecy in which everyone seems to live their lives in.

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Otolithe Response Series (2021 - 2022)